April 12, 1992
Day 2 brought a little more introspection. I don't know if everyone felt comfortable with each other, or what, but words and tears flowed forth as people confessed their true concerns and found somewhere in their souls at least the surface of answers to their biggest problems.
As we settled in, Ken wanted to find out what we got out of Day 1. This simple question occupied the first few hours of Day 2:
Jon - [absent]
Time for a recap of the major concepts:
Always know why you're in the business.
OK, the rest of the day was spent on individual attack-strategy analysis. A relatively comprehensive list of possible actions is what follows:
Pursue (new) representation
The bold-faced items are the ones that I am supposed to pursue myself over the next three weeks. When we reconvene on May 2, we will all have to face the shame if we do not accomplish our goals.
This is how the group sees me being cast: college student, rich, all-American, football player, trustable, repressed, innocently caught up, subtle, dry humor, nice guy who turns psychotic, reporter, med. Student, baseball player, prom queen beater, quiet dissenter, a little rebellious, the innocent rookie cop, too much heart, serious / skeptical - but a young skeptic. I was also compared to Matthew Modine, Jon Curr, Jimmy Olson, Jeffrey Dahmer, Anthony Michael Hall, James Spader, both True Colors stars.
CASTING PEOPLE CAN GET A BETTER HANDLE ON WHO WE ARE IF WE PRESENT OURSELVES OPENLY
Other random stuff -
For an agent to sign you, you have to overcome the reasons to object
to signing you.
CLEVER COMMUNICATION IS CERTAINLY PART OF SELF-PROMOTION.
Tape - 5 or 6 minutes, tops "Jan's Video"
Agents - They do indeed work for you. Deal sensitively with them, though. Work them without them knowing it. Communicate to your agent what you should be cast as.
Go on to May
2